Additional Campus Affiliations
Professor, Media and Cinema Studies
Director, Roger Ebert Center for Film Studies, Media and Cinema Studies
Professor, English
Professor, Institute of Communications Research
Professor, Unit for Criticism and Interpretive Theory
Recent Publications
Turnock, J. (2023). Jurassic Park’s Smoothing Pass: The Dinosaur Input Device and Digital Materialism. In The Jurassic Park Book: New Perspectives on the Classic 1990s Blockbuster (pp. 113-129). Bloomsbury Publishing Plc..
Turnock, J. (2018). THE AUTEURIST SPECIAL EFFECTS FILM: KUBRICK’S 2001: A SPACE ODYSSEY (1968) AND THE ‘SINGLE-GENERATION LOOK’. In The Hollywood Renaissance: Revisiting American Cinema's Most Celebrated Era (pp. 71-90). Bloomsbury Publishing Plc..
Turnock, J. (2016). Gravity and the “Lighting designer” Controversy: Cinematographers, Special Visual Effects Artists and the Rhetoric of Digital Convergence1. In Transnational Cinematography Studies (pp. 187-216). Bloomsbury Publishing Plc.. https://doi.org/10.5040/9781978739888.ch-009
Turnock, J. (2016). POSTWAR HOLLYWOOD, 1947-1967: Special/Visual Effects. In Editing and Special/Visual Effects (pp. 91-102). Bloomsbury Publishing Plc..
Turnock, J. (2016). THE AUTEUR RENAISSANCE, 1968-1980: Special/Visual Effects. In Editing and Special/Visual Effects (pp. 116-128). Bloomsbury Publishing Plc..